Work begins from the fact that 'space' in under neoliberalism deliberately produces isolation and control. Vi operates through architecture and structures that profit from mourning, and through resistance to political art that discharges pressure without consequence. There is no consistent medium or aesthetic, what holds the work together is a demand for honest friction with the conditions it occupies. Form, material, writing and theory are inseparable, because theory makes form necessary.
The work does not produce legible images of political engagement but rather stays inside the difficulty of that distinction.